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Showing posts with label Irrfan Khan. Show all posts
Showing posts with label Irrfan Khan. Show all posts

Tuesday, 12 November 2013


Director Ritesh Batra's The Lunchbox is among the four Indian films that have been nominated in the Seventh Asia Pacific Screen Awards (APSA) this year. The awards will be held in Brisbane next month.

According APSA official statement, Brisbane Lord Mayor Graham Quirk announced the names of 39 films from 22 Asia Pacific countries vying for the region's highest accolade in cinema. This year for the first time nominations have gone to films from Bangladesh, Jordan and Saudi Arabia.

The six films competing for the coveted Best Feature Film award are Omar (Palestine), Iran's official entry for the Oscars Le Passe (The Past, France, Italy), Soshite chichi ni naru (Like Father, Like Son, Japan), Bangladesh's first APSA nomination Television, anthology film The Turning (Australia), and With You, Without You (Sri Lanka).

"It is my absolute pleasure to see the 2013 nominations encompass more Asia Pacific countries and areas than ever before, making this year the most international event in APSA's proud history. We look forward to once again hosting this internationally renowned event in Brisbane," Quirk said.

In the category of Best Screenplay alongside Asghar Farhadi Le Passe (The Past) and Mostofa Sarwar Farooki and Anisul Hoque for Television is U-Wei Bin Hajisaari for Hanyut, Almayer's Folly, Malaysia, Ritesh Batra for The Lunchbox (India, Germany, France) and Denis Osokin for Nebesnye Zeny Lugovykh Mari (Celestial Wives of the Meadow Mari, Russian Federation), who won the APSA in this category in 2011 for Ovsyanki (Silent Souls).

Nominees for Best Performance by an Actress, in addition to Golshifteh Farahani My Sweet Pepperland, are fellow Iranian actress Negar Javaherian for The Painting Pool (Islamic Republic of Iran), as well as Zhang Ziyi for The Grandmaster (Hong Kong (PRC), People's Republic of China), Whirimako Black for Tuakiri Huna (White Lies, New Zealand) and Kurdish actress Ayça Damgaci for Yozgat Blues (Turkey, Germany).

Nominees for Best Performance by an Actor, in addition to Adam Bakri (Omar) and Yerbolat Toguzakov (Shal/The Old Man), are Lee Byung-hun for Masquerade (Republic of Korea), Tatsuya Nakadai for Nippon no higeki (Japan's Tragedy, Japan) and Aaron Pedersen for 'Mystery Road' (Australia).

Monsoon Shootout by Rajeev Ravi has been nominated for Achievement in Cinematography, together with Ehab Assal (Omar) and Murat Aliyev (Shal - The Old Man).

APSA Chairman Michael Hawkins said, "To see among the nominees first time feature filmmakers who are competing with some of the most established and renowned filmmakers in the region, and indeed the world, means the International Jury has a hard task ahead of them."

Menstural Man (Singapore, India) produced by Amit Virmani an Seah kui Luan figured in the best documentary feture film nominations. Goopi Gawaiya Bagha Bajaiya produced by India's Children's Film Society is competing in best animated feature film with four other foreign films.

Winners in the feature film categories will be determined by the 2013 APSA International Jury, headed by Indian director Shyam Benegal, who will lead a group of Jury members including Korean director Kim Tae-yong, Queen of Sri Lankan Cinema actress Malani Fonseka, Turkish actor Tamer Levent, Swiss director Christoph Schaub and Hong Kong producer Albert Lee.

There has been inclusion of two additional awards for outstanding achievments -- The UNESCO Award for outstanding contribution to the promotion and preservation of cultural diversity through film and FIAPF Award for Outstanding Achievement in Film.
The Lunchbox (2013)

The Lunchbox selected for Asia Pacific Screen Awards

Unknown  |  at  17:57


Director Ritesh Batra's The Lunchbox is among the four Indian films that have been nominated in the Seventh Asia Pacific Screen Awards (APSA) this year. The awards will be held in Brisbane next month.

According APSA official statement, Brisbane Lord Mayor Graham Quirk announced the names of 39 films from 22 Asia Pacific countries vying for the region's highest accolade in cinema. This year for the first time nominations have gone to films from Bangladesh, Jordan and Saudi Arabia.

The six films competing for the coveted Best Feature Film award are Omar (Palestine), Iran's official entry for the Oscars Le Passe (The Past, France, Italy), Soshite chichi ni naru (Like Father, Like Son, Japan), Bangladesh's first APSA nomination Television, anthology film The Turning (Australia), and With You, Without You (Sri Lanka).

"It is my absolute pleasure to see the 2013 nominations encompass more Asia Pacific countries and areas than ever before, making this year the most international event in APSA's proud history. We look forward to once again hosting this internationally renowned event in Brisbane," Quirk said.

In the category of Best Screenplay alongside Asghar Farhadi Le Passe (The Past) and Mostofa Sarwar Farooki and Anisul Hoque for Television is U-Wei Bin Hajisaari for Hanyut, Almayer's Folly, Malaysia, Ritesh Batra for The Lunchbox (India, Germany, France) and Denis Osokin for Nebesnye Zeny Lugovykh Mari (Celestial Wives of the Meadow Mari, Russian Federation), who won the APSA in this category in 2011 for Ovsyanki (Silent Souls).

Nominees for Best Performance by an Actress, in addition to Golshifteh Farahani My Sweet Pepperland, are fellow Iranian actress Negar Javaherian for The Painting Pool (Islamic Republic of Iran), as well as Zhang Ziyi for The Grandmaster (Hong Kong (PRC), People's Republic of China), Whirimako Black for Tuakiri Huna (White Lies, New Zealand) and Kurdish actress Ayça Damgaci for Yozgat Blues (Turkey, Germany).

Nominees for Best Performance by an Actor, in addition to Adam Bakri (Omar) and Yerbolat Toguzakov (Shal/The Old Man), are Lee Byung-hun for Masquerade (Republic of Korea), Tatsuya Nakadai for Nippon no higeki (Japan's Tragedy, Japan) and Aaron Pedersen for 'Mystery Road' (Australia).

Monsoon Shootout by Rajeev Ravi has been nominated for Achievement in Cinematography, together with Ehab Assal (Omar) and Murat Aliyev (Shal - The Old Man).

APSA Chairman Michael Hawkins said, "To see among the nominees first time feature filmmakers who are competing with some of the most established and renowned filmmakers in the region, and indeed the world, means the International Jury has a hard task ahead of them."

Menstural Man (Singapore, India) produced by Amit Virmani an Seah kui Luan figured in the best documentary feture film nominations. Goopi Gawaiya Bagha Bajaiya produced by India's Children's Film Society is competing in best animated feature film with four other foreign films.

Winners in the feature film categories will be determined by the 2013 APSA International Jury, headed by Indian director Shyam Benegal, who will lead a group of Jury members including Korean director Kim Tae-yong, Queen of Sri Lankan Cinema actress Malani Fonseka, Turkish actor Tamer Levent, Swiss director Christoph Schaub and Hong Kong producer Albert Lee.

There has been inclusion of two additional awards for outstanding achievments -- The UNESCO Award for outstanding contribution to the promotion and preservation of cultural diversity through film and FIAPF Award for Outstanding Achievement in Film.

Friday, 20 September 2013


The Lunchbox’ is a journey of Saajan Fernandes (Irrfan Khan) and Ila (Nimrat Kaur) who are living a spice-less existence. Saajan is a widowed government employee on the verge of retirement after serving his company faithfully for 35 years. Ila, on the other hand, is a duty-bound young housewife, who lives to serve her husband Rajeev and nurse her daughter Yashvi. To rev-up her marriage, Illa decides to cook a delish meal for her indifferent (and infidel) hubby and get it delivered by the impeccable hands of dabbawallahs. As fate would have it, the dabba lands up at Saajan’s desk leading to a series of written notes being passed on from one end to another. Ila gets an anchor that was missing in her life and love brings a breath of fresh air in the autumn of Saajan’s life. What pulls the strings of the audience’s heart the most is the way ‘love’ cooks up between the pair sans any form of new age communication. To add zing to this love story, there is Aslam Sheikh (Nawazuddin Siddiqui), who has been hired as Saajan’s post retirement replacement. Nawazuddin as Aslam is unintentionally funny and he has got his comic timing right. His interesting conversations with Saajan make the film more engaging and original. Ditto for Bharati Achrekar (Mrs Deshpande) who plays Ila’s neighbour in the film. It is her voice that can be heard from upstairs whenever Ila engages in conversation with her.

The Lunchbox (2013)

The Lunchbox’ review

Unknown  |  at  17:03


The Lunchbox’ is a journey of Saajan Fernandes (Irrfan Khan) and Ila (Nimrat Kaur) who are living a spice-less existence. Saajan is a widowed government employee on the verge of retirement after serving his company faithfully for 35 years. Ila, on the other hand, is a duty-bound young housewife, who lives to serve her husband Rajeev and nurse her daughter Yashvi. To rev-up her marriage, Illa decides to cook a delish meal for her indifferent (and infidel) hubby and get it delivered by the impeccable hands of dabbawallahs. As fate would have it, the dabba lands up at Saajan’s desk leading to a series of written notes being passed on from one end to another. Ila gets an anchor that was missing in her life and love brings a breath of fresh air in the autumn of Saajan’s life. What pulls the strings of the audience’s heart the most is the way ‘love’ cooks up between the pair sans any form of new age communication. To add zing to this love story, there is Aslam Sheikh (Nawazuddin Siddiqui), who has been hired as Saajan’s post retirement replacement. Nawazuddin as Aslam is unintentionally funny and he has got his comic timing right. His interesting conversations with Saajan make the film more engaging and original. Ditto for Bharati Achrekar (Mrs Deshpande) who plays Ila’s neighbour in the film. It is her voice that can be heard from upstairs whenever Ila engages in conversation with her.

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